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Joël Séria // 1971

Leave it to Mondo Macabro to distribute the wildest, most delightfully dark side of [mainly] 70’s cinema.

It really doesn’t get much better than adorable pre-teen girls with a lust for one another, seduction, the occult, Satan, and peeping nuns.

From the very start, the E P I C Lautremont’s Les Chants de Maldoror is referenced and used as inspiration for the girls’ dedication to darkness. The entire film boils down to the unforgettable ending which involves a ceremonious Satanic vow with undertones of Charles Baudelaire’s Fleurs du Mal.

Think Peter Jackson’s Heavenly Creatures meets Juan López Moctezuma’s Alucarda.

Need I say more?

Previews after the jump…

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