Crust
Last year, the late Kenn Kroosaficks reviewed Deathcharge’s debut LP, Love Was Born to an Early Death, here at CVLT Nation. “Deathcharge unleashes a...
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Last year, the late Kenn Kroosaficks reviewed Deathcharge’s debut LP, Love Was Born to an Early Death, here at CVLT Nation. “Deathcharge unleashes a...
Deathrock never died, but it would be willfully ignorant to claim there isn’t new blood currently reinvigorating the genre. The recent uptick in the...
by Oliver Sheppard This is an interview I did with World Burns to Death in 2003. It was something I originally meant for a...
Simultaneously occupying the spaces of hardcore punk and deathrock while dishing out a consistent barrage of their own schizoid take on punk, Long Beach,...
Seattle’s Grave Babies make a very atmospheric, low-fi form of melancholy postpunk. The band operates somewhere in the musical space that groups like the...
Since 2005, Cross Stitched Eyes have been dishing out a viscerally compelling, deathrock-tinged take on hardcore punk. Their new Decomposition LP — out on...
The release of the 5-song, split 12″ between Alaric and Atriarch on May 15, 2012 marks an interesting turn-of-the-page in what we may well...
Although cult British anarcho-deathrock band Part 1 have already been covered in CVLT Nation, missing from the equation was an interview with the band’s...
For fans of dark punk music, The Mob need no introduction. During their initial run from 1977 to 1984 they released a string of...
The Japanese deathrock and postpunk scene formed an important, but unique, parallel to what was happening in California and the UK throughout the early...
Pinkish Black are from Fort Worth, Texas. Their debut, self-titled LP on Handmade Birds is a crushingly heavy offering of alternately gothic sludge and...
A couple of weeks ago, I wrote about ten newer deathrock bands that recently caught my attention. The list included Cemetery, Crimson Scarlet, Blue...