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Several weeks ago, I reviewed Oak’s self-titled debut album, calling it “more metal than any metal record that has ever existed.” I spoke to...
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Several weeks ago, I reviewed Oak’s self-titled debut album, calling it “more metal than any metal record that has ever existed.” I spoke to...
This screamo record is more metal than every metal record that ever existed. This screamo record is more metal than Tom G. Warrior. This...
It’s 2014 and I am black and I am scared of the police. This certainly isn’t a new phenomenon, but in the era with...
Wretched Excess, a self-described “hauntology” collective from Kansas City, Missouri, play dark ambient, but it is not the dark ambient popularized by mid-period Burzum...
I don’t speak Spanish. This band is from Panama. The primary language in Panama is Spanish, a language I do not speak; therefore, I...
With their debut album, Permanence, Denver’s Vermin Womb have successfully managed to combine chicken and ice cream. Not literally, of course, but with eight tracks and...
Wolves In The Throne Room, Washington’s own all-natural Black Metaler’s, have been around the block. Twelve years as a band has sharpened Wolves In...
Waves Crashing Piano Chords, the, gasp, Juggalo power-electronics oddity, is a bit of a polarizing figure. Either people love him and his feedback driven, sex-crazed loco...
Black metal and neoclassical art are decades deep in a steamy love affair. As early as Burzum, black metal has been influenced by neoclassical...
Attention grabbing, controversial album and artist titles are the nom de reguer of noise music. With musical extremity comes thematic and visual extremity. I had...
I feel like funeral doom is the bastard child of heavy metal. Free of the dynamic riffage of regular doom, the fun of stoner...