Apocalyptic Blues
Excerpt from the final chapter of HEAVY: A Memoir of Wyoming, BMX, Drugs, and Heavy Fucking Music by JJ Anselmi Excision The...
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Excerpt from the final chapter of HEAVY: A Memoir of Wyoming, BMX, Drugs, and Heavy Fucking Music by JJ Anselmi Excision The...
Morality Crisis is one of the weirdest groups around, and the Minneapolis trio’s latest, MASH, only solidifies that status. But, unlike many bands that...
Recitation’s debut LP, Carrion, is quite possibly the heaviest album of 2015. Since releasing a self-titled EP last year, the Danish trio has taken...
Phemüt’s debut LP, The Memory Of Spring, is a vacuum of hopelessness. To listen to the album in its entirety is to have any...
Nightfell’s latest, Darkness Evermore, is an aural tapestry of isolation and nihilism. From the opening of the album to its close, the band displays...
There are certain things that will never go out of style in the realm of stoner metal — good riffs, guitar and bass tones...
Cursed Graves’ debut LP, California Noise, is damn near perfect. Hailing from San Diego, the trio has only been around for a few years....
The latest installment of Ivan Weiss and Sam Stephenson’s Big, Bent Ears: A Serial in Documentary Uncertainty covers Nazoranai, an improvisational group consisting of...
With The Road Home, which consists of Jay Munly and Noah Landis, Scott Kelly expands that calm into a chasm of meditation and despair,...
When I hear ‘super group,’ I expect half-assed songwriting and a generic compromise between each member’s other bands. It’s because of this connotation that...
Sacramento’s Bog Oak has only been together for about a year and a half, but you’d never guess by listening to their first EP,...
Banner Photo via: Aquarium Dempseys Next to Sunn O))), The Body is the most physically intense band I’ve ever seen. The Portland duo is also...