Via Dangerous Minds
Guardian film critic Peter Bradshaw called La Danza de la Realidad (“The Dance Of Reality”), Chilean cinematic trickster Alejandro Jodorowsky’s first film in 23 years, “a triumphant return, which mixes autobiography, politics, torture and fantasy to exuberant, moving effect.”
La Danza de la Realidad was shot in Jodorowsky’s hometown of Tocopilla, deep in the Chilean desert. The film, which premiered at Cannes tells the story, sort of, of the his Communist father, Jaime Jodorowsky, with whom the director obviously had a very complex relationship:
Of course, the entire story is swathed in surreal mythology, dream logic and instant day-glo legend, resembling Fellini, Tod Browning, Emir Kusturica, and many more. You can’t be sure how to extract conventional autobiography from this. Despite the title, there is more “dance” than “reality” — and that is the point. Or part of the point. For the first time, Jodorowsky is coming close to telling us how personal evasiveness has governed his film-making style; his flights of fancy are flights of pain, flights from childhood and flights from reality. And now he is using his transformative style to come to terms with and change the past and to confer on his father some of the heroism that he never attained in real life.
As a child, young Alejandro is played by Jeremias Herskowits, and as an old man by the director himself, who cuts a distinguished, Haneke-like figure with his white hair and trimmed beard. His father Jaime is played by the director’s son Brontis Jodorowsky, which lends the project an intriguingly Freudian flavour. (Until this moment, I thought the scene in Michael Powell’s Peeping Tom in which the director dropped creepy-crawlies on his son’s pillow was the roughest father-son moment in cinema. But here Jodorowsky films a scene in which Jaime is tortured by the state police, and a naked Brontis Jodorowsky has electrodes attached to his testicles in full camera view. Ouch.)
Cannes 2013: La Danza de la Realidad (The Dance Of Reality) – first look review (The Guardian)
Danisthebastard
May 22, 2013 at 10:01 am
Thanks for the trailer!